The drawings were scored by raters in terms of universals of aesthetics and overall quality of creative production. The control group produced three consecutive drawings without any induction of romantic motive. They produced drawings after each induced condition. Participants of the experimental group produced a spontaneous drawing (spontaneous condition), to be followed by two experimental conditions where romantic motive was induced in random succession by (a) showing the picture of a sexually attractive woman, and (b) fantasizing a romantic relationship. Subsequently, the participants were divided in control and experimental groups. A total of 220 male participants comprising 40 established painting professionals, 40 non-painting professionals, 70 painting students and 70 non-painting students responded to an Information schedule, the General Health Questionnaire-28, PGI wellbeing scale, and the Sternberg Triangular Love Scale. 3) Exploring effects of induced romantic motives on universals of aesthetics and overall quality in creative productions. 2) Exploring the relationship of mental health and romantic motive with universals of aesthetics and overall quality of creative production. The objectives of the present study are to determine: 1) exploring the effects of training status (painter versus non-painter) and age group (older versus younger) on mental health, romantic motive and universals of aesthetics and overall quality of creative production. The present research aims to determine the relation of creativity with romantic motive and mental health.
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